It Is The Nature Of Dreams To End (Anniversary Remaster)
by Reeder
sideshoweric
Duncan Molloy
Alden Aust
Shane Boyar
Derek Bender
Becca Snow
Calamitish
Rye Carrigan
shackabear
Vaporous Beef
Charlie
stellabranch
agarner
Aria Cumberlidge
Janet
Isabel V.
Kamani
Cass Miller
Hs_Yeah
David Dovey
caro
Mekugi Ana
midco
Guy Connolly
Dawn Davis
jordandria
JCar029
deefulls
parrythat
Neil Bickford
amy-thystt
anchovie
violet_jade
Mohammed Taher
kay
Dory
fleshisweak
raspberry
WORLDWIDEWOLF
Elliot
NBM
dairymold
RachelM
tellekat
David Ezekiel
ALuketothePast
Pat
r.
daeranilen
gerald
CorgiTeaTime
Fat4all
lozey
Brendan McLeod
kuridongo
Luke Demarest
Joel Jackson
Hans Larsson
dkua
askibaski
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Digital Album
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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of It Is The Nature Of Dreams To End (Anniversary Remaster), Affirmations, Orbit, Live At Home, The Archivist's Vision, The Land We Walk On, Field Notes II, West Key South, and 5 more.
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You own this
1. |
Time (Remastered)
04:15
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2. |
Farewell (Remastered)
02:27
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3. |
Castle Gate (Remastered)
02:37
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4. |
Solace (Remastered)
03:18
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5. |
Julia (Remastered)
02:09
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6. |
Owl Temple (Remastered)
02:42
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7. |
Relic (Remastered)
05:26
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8. |
Unwhere (Remastered)
01:27
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9. |
Stellar (Remastered)
02:56
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10. |
Home (Remastered)
02:36
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about
Notes On The Artwork:
As you'll read below, the original name and artwork of this album came at a pessimistic time of my life. Five years later, I decided that the whale deserves another chance to fly.
~~
A Letter From The Composer:
After a decade of making music I didn't think I'd write another album after this one. At least, not publicly.
In 2017 I was kinda miserable. It was my first year as a full time teacher, which was a source of an incredible amount of stress. I was living on my own for the first time, making just enough to pay rent and my bills, in a tiny little apartment I have since come to refer to as "the shoe box".
The thing with teaching is that it largely obliterates your spare time, if you let it - and gosh was I letting it. I didn't foresee a future where I could continue doing that work and also have music as a quasi-professional pursuit on the side. There simply wasn't enough time.
To quote a certain supernatural whale in a video game...
So I went about figuring out what an album would look like. I'd only written one in the past - a daft little thing called Wednesday I wrote when I was an even more miserable university student who'd just discovered brickwall limiting and was listening to too much Ben Folds. I thought if I was going to stop I should at least stop on my own terms and put a capstone on the whole thing. I reinterpreted and renamed some older pieces (Time, Relic, Home, Owl Temple, Theme For A Friend) and wrote some new ones (Farewell, Castle Gate) and also for good measure snuck in that one piece of mine that had actually got any traction. We all know the one and why. I packaged it all up with a collage of public domain images, put it out into the universe, and stepped back satisfied that it was over.
That didn't work out, did it?
2022 marks a decade of being Reeder, and five years since this record, so I thought I'd finally get around to mastering it. I kinda skipped that part the first time around because I didn't really think anybody would listen and people mystify the mastering process so much that I thought I wouldn't be able to do it justice. Now, with five more years of production experience behind me, I finally feel confident enough to go back in and finish Dreams.
I am unfathomably grateful that this music has reached the number of people that it has, and continues to. I'm thrilled that it has found people's hearts the way I had only dreamed it would. That this only happened because of a wild stroke of luck and one person with a large audience is not beyond me.
Thank you to everybody who listened, and a special thank you to everybody who hung around. I can't wait to see what I'm gonna make in the next decade. I hope it's good.
- Reeder, Feb 6 2022
As you'll read below, the original name and artwork of this album came at a pessimistic time of my life. Five years later, I decided that the whale deserves another chance to fly.
~~
A Letter From The Composer:
After a decade of making music I didn't think I'd write another album after this one. At least, not publicly.
In 2017 I was kinda miserable. It was my first year as a full time teacher, which was a source of an incredible amount of stress. I was living on my own for the first time, making just enough to pay rent and my bills, in a tiny little apartment I have since come to refer to as "the shoe box".
The thing with teaching is that it largely obliterates your spare time, if you let it - and gosh was I letting it. I didn't foresee a future where I could continue doing that work and also have music as a quasi-professional pursuit on the side. There simply wasn't enough time.
To quote a certain supernatural whale in a video game...
So I went about figuring out what an album would look like. I'd only written one in the past - a daft little thing called Wednesday I wrote when I was an even more miserable university student who'd just discovered brickwall limiting and was listening to too much Ben Folds. I thought if I was going to stop I should at least stop on my own terms and put a capstone on the whole thing. I reinterpreted and renamed some older pieces (Time, Relic, Home, Owl Temple, Theme For A Friend) and wrote some new ones (Farewell, Castle Gate) and also for good measure snuck in that one piece of mine that had actually got any traction. We all know the one and why. I packaged it all up with a collage of public domain images, put it out into the universe, and stepped back satisfied that it was over.
That didn't work out, did it?
2022 marks a decade of being Reeder, and five years since this record, so I thought I'd finally get around to mastering it. I kinda skipped that part the first time around because I didn't really think anybody would listen and people mystify the mastering process so much that I thought I wouldn't be able to do it justice. Now, with five more years of production experience behind me, I finally feel confident enough to go back in and finish Dreams.
I am unfathomably grateful that this music has reached the number of people that it has, and continues to. I'm thrilled that it has found people's hearts the way I had only dreamed it would. That this only happened because of a wild stroke of luck and one person with a large audience is not beyond me.
Thank you to everybody who listened, and a special thank you to everybody who hung around. I can't wait to see what I'm gonna make in the next decade. I hope it's good.
- Reeder, Feb 6 2022
credits
released March 18, 2022
Artwork by Alice Jooren - alicejooren.nl.
All pieces composed or improvised by Reeder.
Engineering by Reeder.
If you enjoy this music please consider sharing it.
Artwork by Alice Jooren - alicejooren.nl.
All pieces composed or improvised by Reeder.
Engineering by Reeder.
If you enjoy this music please consider sharing it.
license
tags
about
Reeder Southampton, UK
They/Them. Soundtracks for stories which haven't been written yet.
Artwork by Beth Fuller - bethfuller.tumblr.com
discography
-
Mar 2022 -
Sep 2021 -
Apr 2021 -
Oct 2020